A country seller?

By the 1870s, the smock frock was seen as old-fashioned and associated with the countryside.  In the increasing urban sprawl of the late nineteenth century, the unspoilt countryside was looked upon with both nostalgia and as a source of purity.  To many town dwellers, those who lived there had better lives with fresh air and wholesome food, although the realities could be very different.  The smock became linked with the nostalgia that many urban dwellers had for their rural childhoods and the naturalness of the countryside.  It was a garment that could thus also be used to good effect by conmen.  In newly appearing suburbs, ‘the countryman’ often appeared dressed in a ‘snowy’ white smock frock to sell his home grown produce to unsuspecting housewives. In 1879, one purported to sell cheese and butter homemade by his wife.  Tasting the cheese, so as not to be duped, the housewife found that she had a bargain, the ignorant countryman selling his cheese for nine pence a pound instead of a shilling charged in the shops.  The deal was struck, the countryman disappeared and the buyer was left with a cheese that when unwrapped for supper was ‘hot and dry and rank flavoured’ and not at all what she had tasted on the doorstep.  The plug used to take the sample was tampered with, the good cheese placed at the end, so it appeared that the ‘rank’ cheese was being honestly tasted.  The butter too, was likely to have been tampered with, genuine butter cased over the filling of something else altogether.

Despite the Food Adulteration Acts of 1872 and 1875, food tampering continued, then as now, playing on consumer anxieties both about retailers and food producers and the sense of vulnerability and lack of control when not in charge over your own food production.  ‘Bad’ food became a preoccupation of Victorian reformers during much of the nineteenth century, spearheaded by the medical journal, The Lancet, and given publicity by magazines such as Household Words, run by Charles Dickens.  The desire for a bargain and to eat good food cheaply, was a preoccupation then as today, and without enforced regulations, the question of honesty and trustworthiness were paramount.  Some frauds were relatively benign but others were outright dangerous, such as sulphate of lime and alum in flour and sulphuric acid and lead in vinegar.  Meat too, could come from indistinguishable sources and indeterminate animals.  The appearance and manner of a seller was all there was to enable a judgement of somebody’s trustworthiness.  The smock frock was a useful tool to suggest honesty with its rural associations, even if in reality, the countryman’s ‘dairy farm [was]…situated in a back street in the rural regions of Whitechapel’.

 

 

Easter Smocks

Easter was traditionally the time to wear new clothes, with its associations with rebirth and renewal.  It was also the end of Lent and thus cause for a celebration, the lean months of the year over.  By the fifteenth century, it was seen as bad luck if you didn’t wear new clothes at Easter.  If you managed to do this, with the economic outlay that this implied, good luck would follow for the rest of the year.  In a newspaper report in the Derbyshire Times and Chesterfield Herald in April 1862, it was described as ‘a positive dereliction of duty if Hodge does not appear in a new velveteen coat or smock frock covered with fancy stitching’, for the Easter holiday.  It was an important celebration, the working men having ‘few “red letter” days compared with those on the Continent’.  The ‘red letter’ came from the idea of marking important holy festivals in red on the church calendar, a practice carried out since at least the fifteenth century.  Public holidays such as Easter and Christmas were a rare guaranteed break for workers, Bank Holidays not introduced until 1871.  The lack of religious festivals in England compared to other countries on the continent, also meant less time off, with the UK still today having the lowest number of public holidays in Europe, resulting in a Labour pledge in the upcoming general election for four more.

As always, the newspaper report, describing the new smock frocks and gowns with ‘very lively coloured’ ribbons, also focused on that Easter perennial, the weather.  Hoping for better weather than last year and for ‘skyey influences’ not to disrupt the gathering, a successful Easter celebration and enjoyment by all was hoped for.

Easter Bunny!

easter bunny

Plough Monday

This last Monday was meant to be the most depressing day of the year, Blue Monday, although apparently this was a ruse invented about ten years ago by the travel industry in order to coax us all into booking summer holidays straight after Christmas.  A day which I think could do with more revival at this time of year is Plough Monday, traditionally the first Monday after Epiphany.  This rural custom is still celebrated in some areas of the East Midlands and East Anglia although originally it probably had a broader geographical spread.  It was said to be the first day that ploughmen went back to work after Christmas and was celebrated in various ways including ‘Molly’ dancing, similar to Morris dancing, mummer’s plays, parading straw bears and general dressing up, face colouring and transgression of the norms, depending on the customs of the area.  The ploughmen also asked for monetary contributions from landowners during a parade of the plough through local streets. Those who did not contribute risked having their front garden or doorstep ploughed up.  February was said to be the hardest month in the rural calendar: work was scarce, nothing new had yet grown, and winter vegetables and food from the previous year were running low.  Getting the ‘trembles’ was common – the colloquial term for starvation.  Such a parade and collection presumably helped the labourers through such lean times.

plough monday

In 1886, the Sheffield Daily Telegraph reported on Plough Monday, a parade visiting Sheffield from ‘beyond Pitsmore’, Pitsmoor now a suburb of Sheffield.  A brass band started off the parade, then ‘a strong contingent – 12 men in top hats and smock-frocks with faces daubed a villainous hue, were yoked together by ropes to a plough, the stilts of which were in charge of a farm labourer, with seven-leagued boots and leathern leggings, adorned with wisps of straw’.  They were driven by another, who occasionally banged their backs with a bladder, in the manner of a whip.  This was also described and illustrated by George Walker in his 1814 book, The Costume of Yorkshire (see above). Reprinted a year earlier in 1885, this illustration was entitled the ‘Plough Stotts’, the Yorkshire term for the day, ‘the plough-driver with a blown bladder at the end of a stick by way of whip’.   In 1886, two others were dressed as women, ‘gorgeously got up’ and rattled the cash box ‘under the noses of spectators’, jumping onto trams to collect from passengers and trying to extort money from tradespeople, which according to the report they did quite successfully.  Bantering wittily with people they met, the procession of ‘Hodges’ seems to have made quite an impact and achieved the aim of raising money for those taking part. There was also another similar procession in the area, including a representation of Little Boy Blue with his horn, so it seems to have been not unusual for Yorkshire at this date.  Already there was nostalgia for the countryside for those living in cities and towns, and the representation that agricultural labourers brought forth into urban areas included the smock frock as essentially rural, playing to these notions and the idea that they were the guardians of long-held English customs.

 

http://www.ploughmonday.co.uk/